Creativity is contagious Pass it on

The Project Provocazioni known also as Project Provocations is Worlwide:
Currently, the artist has diffused his artistic vision through his provocations in over 3 continents, 12 countries and 50 different cities & 20 museums listed as follow:

Royal Academy (2018) - (2019)

Astrup Fearnleay Museum (2019)

tarot garDEn (2019)

MAXXI (2019)

Jardin del Majorelle (2020)

YSL - Musée de Marrakech (2020)

Ciutat de les Art i les Ciències (2020)

Museo Calouste Gulbenkian (2022)

Egyptian museum(2022)

convitto delle arti (2024)

Le Grand Palais (2025)

national bard0 museum (2025)

Museo Madre (2025)

casa milà (2025)

casa vicens (2025)

Fundaciò Joan Mirò (2025)

Museu Picasso de Barcelona (2025)

louisiana museum (2025)

Glyptoteket Museum (2025)

Gnam - Galleria Nazionale d'Arte Moderna e Contemporanea (2026)

 Others Relevant Exhibitions:

Church Palace Hotel (Rome - 2018) for Artroomfair

Spazio Ventura (Milan - 2019) For FAM

Fabrica del Vapore (Milan - 2019) for Nak

(both events were organized for the “fuori Salone”)

Palazzo Dama - Contemporary paradigm (april 2022)

VERTECCHI – CONTEMPORARY PARADIGM ( MAY 2022)

Rome art week - open studio at vivai mari (october 2024 - october 2025)

Galleria sordi - arte in galleria for stendalh (june 2025)

Tasio open studio – Les Femmes Fatales

Curated by Anna Maria Tusini Cottafavi

With Les Femmes Fatales, presented for the first time on the occasion of Tasio Open Studio, the artist opens his creative space to the public during Rome Art Week 2025 to unveil a series of recent works dedicated to the female figure as archetype, energy, and metamorphic presence. These paintings are distinguished by a clear and dynamic visual syntax: faceless female figures enveloped in pure fields of color, where geometry becomes a symbolic language. The body’s structure is deconstructed into polygonal modules and saturated hues — green, red, ochre, blue — evoking an almost liturgical dimension.

The synthetic forms and hieratic frontality recall an archaic kind of figuration, yet reinterpreted through a distinctly contemporary visual code, where abstraction and figuration coexist as two vital principles in tension. The works establish an organic dialogue with the space that hosts them, Vivai Mari, where the female bodies mirror themselves in the vitality of the surrounding plants and flowers. Like nature itself, the female figure becomes a symbol of fertility, regeneration, and cyclicality, sharing with the vegetal world a structure that, through recomposition, generates the fruit — analogous to the human female reproductive system that gives birth to life.

Within this analogy lies Tasio’s reflection: he restores to woman her original status as a creative force and a matrix of transformation.

Tasio thus transforms woman into a blooming presence — not as ornament, but elevating her to a generative being, bearer of beauty, luminous silence, inner fragrance, and a form that is delicate yet powerful.

AN EXTRACT OF my open studio during Rome art week at vivai mari (october 2024)

An extract of Contemporary paradigm AT Palazzo dama (april 2022)

An extract of Contemporary paradigm AT Vertecchi (MAY 2022)

AN EXTRACT OF artrooms fair at the church palace hotel (MArch 2018)

AN EXTRACT OF roma arte in nuvola (november 2023)